Event, Portrait, Commercial, and Headshot Photography
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Headshot Tips

When working with a client who has wants headshots, I always share a few tips on how we can help make sure that folks look their best. Here are those tips:

  • Remember we want a headshot that looks like you. We want a realistic image – your headshot isn’t the time to try something crazy; presumably it’s the “you” that you want to represent.
  • Solid-colored clothing is good.
  • Avoid loud patterns/prints.
  • Dark colors are good. Avoid white unless you’re wearing it underneath something else.
  • Wear clothes that are comfortable. We don’t want to end up with awkward or uncomfortable looks on your face because your clothes are bothering you.
  • Don’t overdress. Dress how you would usually dress for a professional event in your line of business.
  • If wearing jewelry, simple is best. Avoid large jewelry that would distract from your face.
  • Consider the neckline of your outfit. Avoid turtlenecks which often crowd one’s face. Exception: if you’re Steve Jobs, I’ll let you wear a turtleneck.
  • Arrive ready for your first photos — already in the first outfit, hair done, etc.
  • If we’re taking photos with clothing changes, think about the different outfits you might want that could reflect different looks: formal, casual, intellectual, sexy, etc.
  • Drink lots of water and be well-rested (we want to avoid dark circles under your eyes).

Plan that we’re going to have some casual conversation; folks generally look best once they’re relaxed rather than being uptight or nervous about their photo. I’m going to try to make some jokes. It helps if you laugh at them :)

professional headshot of woman

Editing to Appeal to the Flickr-Browsing Crowd

I’ve had around 30 photos featured in Flickr’s Explore section, which showcases the most interesting 500 photos submitted each day. When one browses Explore, there are some obvious patterns, topics, and even colors which seem to come up frequently. Certain types of photos do well.

One of my more popular images is Under Dolores, a photo taken while looking through a culvert/walkway underneath a railroad yard in Los Angeles. The Flickr-ed image is a departure from the out-of-the-camera shot and I thought it might be interesting to take a quick look at the process:

First, as from the camera:
Under Dolores

After adjusting the exposure:
Under Dolores

Finally, applying tone and contrast adjustments:
Under Dolores

Was the image altered? Heck yes. Did I alter the image specifically to give it more pop and make it an eye-catcher? Yes.

Is that wrong? There’s the debate. Personally I have no problem with folks who adjust images to create something new. I’m not trying to pass it off as some accurate representation of reality, but rather as a piece of art. Most of my photos aren’t altered this heavily, but this one seems to lead to a lot of conversations, so I thought I’d post a bit about how it got to the final state.

Get High

As someone who lives in a single-story house and works on the third floor of a 6-story building, a little elevation is a nice change in perspective at times.

Old Town from Pink

Looking north towards the Old Town area of Portland from the 21st floor of the US Bancorp Tower.

If you’re used to being near the earth, I recommend you try elevating your stature once in a while :)

Mixing it up with Dawn, Rick, and Sam

I’m actively trying to expand my photography skills and portfolio of “people” shots. In the past, I’ve tended to do “grab shots” of people, without much thought to lighting or composition and without much post-processing work. As I focus more on the people, I’m being more conscious of these factors, and thus far I’m pleased with the results.

On the Patio of the Dragon
click for Flickr view

This was shot on Friday at the Green Dragon in Portland. Interesting lighting, attention to composition, and conscious post-processing work to bring out the lighting results in something pleasing.

Have Camera, Will Take Photos

Robert Scoble recently recorded a spur-of-the-moment interview with the founders of Twitter. As he notes in his blog post, some folks are giving him grief for not using a “professional” camera, but he notes that the meeting wasn’t originally scheduled to be an interview.

He got the video because he had a video-capable camera with him at all times. Have you ever missed a photo opportunity because you didn’t have a camera? I always recommend that photographers have a camera with them at all times.

Carrying a DSLR and lenses and other gear all the time isn’t practical for many, but even a relatively inexpensive point-and-shoot camera can take some great photos. I have a Canon A540 with me all the time for opportunities to shoot when I don’t have my 40D. When it comes to getting the shot, a $150 5-megapixel point-and-shoot is far better than nothing at all.